A-Days-Work-Book-Literary-Essay Main Idea Of The Story William Carlos Williams’ – Poems

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William Carlos Williams’ – Poems

For poet William Carlos Williams, poetry was a way of life and a way of expressing life. Williams was born on September 17, 1883 in Rutherford, New Jersey. His father was a British businessman in New York and his mother was a Puerto Rican artist. Williams began writing poetry when he was a student at Horace Mann High School and continued his medical studies at the University of Pennsylvania. His university life friendships with Ezra Pound and Hilda Doolittle helped him fulfill his dreams of becoming a doctor and a writer at the same time. After earning his MD in 1906, Williams studied advanced pediatrics in Germany and then practiced as a pediatrician and general practitioner in his hometown. He eventually became chief pediatrician at a general hospital near Paterson. Ezra Pound helped him with his collection of poems known as “The Tempers” (1913). This would be the second collection of all William Carlos Williams’ poems that he arranged for publication in London. Williams married Florence Harman in 1912 and continued to experiment with several writing styles such as terza rima and free verse but stylistically preferred the line over the sentence.

William Carlos Williams’s poetry and politics helped him become a leading poet of the Imagist movement. He wrote a significant amount on Dadaism and Cubism and is considered a major writer in the modernist movement. Williams is a doctor and a poet who wrote in a variety of styles and techniques that made a huge impact in the 20th century. Although his works were often radically experimental, they reflected emotional restraint and heightened the emotional experience of readers through the use of eloquent simple speech. Disagreeing with the growing values ​​in the writings of Pound and Eliot, he developed a new poetic tone focusing on the everyday situations of ordinary people’s lives. His determination to create poetry from American idioms in the rhythm of everyday speech in a clear, distinct, American voice was shaped by his daily contact with the patients he saw in surgery.

Williams’ notable literary breakthrough was “Spring and All,” published in 1923, based on dialogues written in prose and poetry. He was awarded the Dial Award in 1926. In fact, this was the first recognition for his writing work. He received the Loins Award from the National Institute of Arts and Letters in 1948. The following year, in 1950, he was selected as a member of the group. He was also awarded the National Book Award for poetry in the same year. He was appointed as a consultant in poetry to the Library of Congress in 1952. He and Archibald MacLeish were named double winners of the Bollingen Prize in Poetry sometime in 1952. Williams was also awarded the Levinson Prize for Poetry and the Oscar Blumenthal Award. Among his most famous and crowning achievements was the epic poem entitled Patterson. “Patterson” was a five-volume, small-town life epic that belied its poetic nature daily. Williams’ “Pictures from Brueghel and Other Poems” was the last published collection, which was awarded a posthumous Pulitzer Prize. It also won the National Institute of Arts and Letters Gold Medal for Poetry.

In 1948, he suffered a heart attack and later a stroke. He was forced to retire from his medical practice but continued to write. He excelled as a physician and poet. His works continued to receive increasing attention in the 1950s and 1960s. He won the National Book Award in 1950 and the Pulitzer Prize in 1963. “Cora in Hell,” published in 1920, reveals Williams’ darker side, describing the protagonist as a sometimes lonely man who steals regularly, in the dark, and sometimes tries to break free. . He remained a highly acclaimed writer until his death on March 4, 1963.

William Carlos Williams’s poems depict truths in speech and are trapped by his observations of his environment, the people he knows, and the country of New England. His writings carry more than mere pastoral charm as evidenced by the flow of darkly joyful and tragic strains. A multiracial, violent and exuberant streak of speech and behavior describes the character of the entire nation. Marked urban unrest was thought to be the result of a lack of awareness of general and regional history. Williams felt that the correct use of the American language was more important to modern American poetry than a knowledge of common English language construction and grammar in order to discover a form more suitable for Americans. His works are unique and clear which makes them easy and enjoyable to read. William Carlos Williams’ poetry rejects sentimentality and ambiguity. Although the spontaneous improvement in his writing style overlooked the creativity and artistry of young poets, he actually became an inspiration to many poets. His writings projected a sensuous, interrelated, companion-notable spirit. The rhythm and phrasing of his writing, with its lucid relaxed dialogue and startling shifts of focus, have created artfully controlled oratorical passages.

Williams’ poetry expresses his passion for helping people. His love for humanity is evident in his works. He loved to talk and care for his patients and those around him. He had a mixed personality ranging from sympathetic, energetic, fully responsive, socially aware, urbane to sometimes depressed or stern, independent, playful. Williams demonstrates this in his writing, and notably tells readers that he writes what he feels and not what he observes. These feelings of attraction and interconnectedness with the locale led him to reflect the discourse of the American people in poetry. He declared that he had no interest in the speech of the English country people as he considered it artificial. He wanted to know more about the American language and any changes related to the American environment with the intention of speaking to his readers on an equal level. He wanted to express himself freely and use language that could effectively communicate his vision while exploring possible American materials.

His wonderful analysis and interpretation made him popular for his human perspective on things, life, people and environment. His works are an almost inexhaustible treasure trove of twentieth-century American themes and images. The narratives were expressed through a voice that is unique in the history of literature. William Carlos Williams’s poems focus on common everyday scenes such as urban landscapes and the immediate environment. Some are purely descriptive with the working class and the poor. Some are made from visual art. His voice demonstrated the need to deconstruct what had become in order to create something in new perspectives and language. His writings demonstrate the need for discovery rather than imposing general observations and orders. He certainly established an American type of poetry distinct from European forms by his innovative use of common objects and experiences as subjects. He is considered an important innovator of American poetry who succeeds in presenting the ordinary as an extraordinarily vivid and descriptive image. He has written several prose works including essays, trilogy of novels, autobiography and plays. He looked closely at American life and boldly expressed his anger at injustice in a clear, important style.

William Carlos Williams’ World View / Political View

Many modern liberals feel that Williams’s writings contain liberal democratic problems. William Carlos Williams’ poems are masterful and challenging, and follow an independently varied path in a deliberately selective manner that recognizes an object for something other than what it literally symbolizes. This habit of breaking down preconceived notions about conventional poetry to write more about his views on everyday people and events led him to discover and in a way exemplify the feeling of “proletarian portraiture” in his work on American poverty. He published in politically radical journals, indicating that his political commitment was more to the left and far from the meaning of the term liberal. His published writings on The Blast and New Masses were simple, straightforward, direct depictions of his personal political preferences, but modern liberals still portrayed him as aligned with liberal democratic issues. William Carlos Williams’ poetry has a visual intensity, which transcends boundaries. Williams was a socialist and his works openly expressed his anti-capitalist views.

The poem “The Yachts” revealed Williams’ perception of the existing social position and situation in which he considered the wealthy elite to be parasites. He declared more people to be fighters for revolution. In “The Yachts” he particularly depicts the poor public as the tides try to sink the yacht to end the horror of the race. In 1944, he wrote “The Ways” in which he expressed socialism as the inevitable progress of the human race and regarded it as a crucial point for the rise and development of true art. In 1949, “The Pink Church” was published. The poem was actually about the human body but was misconstrued in the dangerous pro-communist context of McCarthyism. This incident led him to lose his consulting position with the Library of Congress. Anti-communist movements clearly indicated their objections to their writings and similar events. Williams believed that artists should be primarily devoted to writing because it prevented the integration of production or promotion between their passion and their artwork. However, he also claimed that this could be done to serve the proletariat.

red wheelbarrow

A scene he witnessed in Passaic, New Jersey, inspired “The Red Wheelbarrow”. The opening lines “so depended” set the tone of the poem, which was divided into several intervals and seemed to express his inner thoughts as he feared for the life of the sick young woman at the time. The pictorial style in which the poem was written was coordinated with the expert opinion of Alfred Stieglitz, a photographer, and Charles Schiller, a photographer-painter. “The Red Wheelbarrow” is a simple, elegant and surprisingly evocative poem that looks intently at an ordinary object through “the thorn of a pin that seems to be on the verge of revelation.” It practically brought him back to a significant point in time as he continued to look at the object and make connections through analogical expressions about life and the source of life. The poem was composed early in Williams’s evolution as a poet. The poem focuses on the objective representation of an object from an Imagist philosophical perspective “not in ideas but in things.”

William Carlos Williams’ style was to create a new dialogue through design in which the arrangement of drawings and words reflected the translation of the relationship of his physical surroundings into visual images, expanding the effect of “many things depend”. This is his way of affirming his understanding of human experience even though Patterson’s prose-like monologue was in direct contrast to his usual short haiku-like form. Of all the William Carlos William poems, Patterson was the longest poem. William Carlos Williams’ poetry has an imaginative, typographic suspension. Williams usually practices categorization at some point in order to proceed with his art.

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