A One-And-A-Half-Story House Is Commonly Known As A Richard Wright’s Power of Observation and Recording Vivid Details of Setting in Black Boy

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Richard Wright’s Power of Observation and Recording Vivid Details of Setting in Black Boy

Richard Wright’s biography Black Boy is a brilliant example of the use of naturalistic fiction in representing the real world with all its brutality, violence, betrayal, deprivation of deprived towns, obscenity, prostitution, occupation and unemployment. While creating a balanced image from the promise of the natural environment.

Wright has always specialized in bringing reality to the mind of the reader in landscapes and other cultural backgrounds. Witness his detailed and graphic descriptions of the various families in which Richard lived and the lurid or unsavory surroundings.

o We witness Wright’s particularly evocative use of language in the book’s opening paragraphs. He first carefully determines the time, the weather, and the freshness of his memory. He first established that it was a winter morning. Although this happened long before his description and when he was only four years old, he was still very keen and very observant of details. For example, he may remember such mundane details as himself standing in front of a fireplace warming his hands on a mound of burning coals. Adding much to the vividness of his narrative was the succinctly effective way in which he employed the beauty of nature and the special feeling as he recalled the wind whistling outside the house. These were a release from the suffocating air of parental over-control and freedom from the air of oppression suffocating her search for freedom and self-expression. The oppressive and suffocating air he wants to break free of includes his mother scolding him, telling him to be quiet and warning him not to make a sound. This is how Richard becomes: angry, irritable and impatient.

o But then his urge for freedom of expression and movement is also stifled by the home environment where his grandmother sleeps day and night in the next room under the supervision of a doctor. But then Richard was forced to shut off his excess of energy, and his longing for freedom restlessly moved to the window, and pushed back the long fluffy white curtains which he was forbidden to touch, and stared out into the empty street, dreaming of running and playing and shouting. . But the vivid image of her grandmother’s white, wrinkled, tragic face framed by her dark hair lying on a huge feather pillow frightened her, though she could not say what.

o In Memphis, Richard revealed that they lived in a one-story brick house. The stone buildings and concrete sidewalks looked dark and hostile to him. According to Richard, the city seemed dead and dark mainly due to the absence of the luxury of green growing things. The house was crowded with four of them crowding the kitchen and one bedroom.

o The next home for Richard was the home where he was admitted due to his mother’s illness. He describes in particular detail the atmosphere surrounding the orphanage and the uncharacteristic atmosphere of mistrust and deceit of life there. The most we are told about the structure is that it is a frame building like the other structures mentioned in the book, although it is a two story structure. It is also set amidst trees in a sprawling green field. The house is said to be always full of children, and a storm of noise almost indicates that it is inhabited by a particularly rowdy and disobedient group of children. The daily routine there, he said, was unclear, a further suggestion of chaos and confusion complemented by perpetual hunger and a persistent sense of dread. The children there endure silent hostility and revenge towards each other, as they constantly complain of hunger as they suffer deprivation of food and live in a general atmosphere of nervousness, intrigue and treachery as they lie to each other. But then the rampant growth of grass in the compound could only be controlled by the authorities using their force as they would be dragged by hand.

o Another two-story frame house is Richard’s grandmother’s house in Jackson, which Richard describes as a charming place to explore. It had seven rooms. He and his brother played hide and seek in the long narrow hallways and down the stairs. Its white plastered walls, its front and back porches, its rounded columns and banisters made him feel that no house in the world could compare with it in grandeur. Richard and his brother thus enjoyed roaming, playing and shouting in such a vast space and vast green fields.

o In Elaine, Arkansas, Richard’s aunt, Aunt Maggie, lived in a fenced-in bungalow. There at home Richard was open to many foods for the first time in his life. The sheltered look of the house made her heart glad that she was finally living in something that looked like home. A wide dusty road ran past the house, flanked by green wildflowers. As it was summer, the smell of soil dust was everywhere. The place was so inviting that Richard got up every morning and walked barefoot through the dust of the road to the strange mixture of cold dew wet crust above and warm sun baked dust below. . After sunrise the bees would come out and Richard soon discovered that he could hit a box by slapping his palms together.

o Later Richard revealed that they rented one half of a double corner house with a stagnant ditch carrying the sewer in front. Around it were swarms of rats, cats, dogs, fortune tellers, cripples, blind men, prostitutes, salesmen and collectors, and children. In front of their flat was a huge round house where locomotives were cleaned and repaired. Bareheaded and barefoot, Richard and the other black children stood and watched the men crawl in, out, up and down the black metal engine.

o Richard was now living in a one-story, double-frame house. The building was originally a duty unit and was converted into two flats, with doors to the flats leading to adjoining flats. These doors were locked, bolted and nailed securely.

o Richard arrived in Memphis on a Sunday morning in November 1925 and plopped his suitcase on a quiet empty sidewalk through the winter sun. He found Beale Street, which he was told was a street full of men of danger, pickpockets, prostitutes, cut throats and black confidence men. After walking several blocks he found a large frame house with a sign room in the window. He walked slowly, wondering if it was a rooming house or a brothel. Small town boys went to big cities and wanted to be careful listening to idiots.

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