Is The Movie M.O.M Based On A True Story What’s Wrong With Blake Snyder’s SAVE THE CAT? The Four Phases of Screenwriting

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What’s Wrong With Blake Snyder’s SAVE THE CAT? The Four Phases of Screenwriting

By Blake Snyder Save the cat! May be the most dangerous book for writers.

And you should read it.

But first, you need to know how to use valuables Save the cat!Time to understand the principles that make it potentially destructive.

Blake Snyder isn’t dangerous because he’s wrong. He didn’t. He’s not dangerous because his ideas about how to build a script around a great premise aren’t brilliant. They are.

Blake Snyder is dangerous because he doesn’t teach you to be a writer. He teaches you how to be a salesperson.

What is right about saving cats!?



You will need a lot of money to turn your script into a movie. It’s true that you’re writing a small independent film that you’re going to shoot in your backyard. or incarnation after incarnation.

Unless you’re ridiculously rich, or have a generous uncle waiting with a check in your hand, your movie will probably cost you more money to make. And that means you have to convince people that they should put their own hard-earned money behind your product.

We call these people producers. They make writers pretty angry. That’s because they couldn’t care less about your artistic vision, the integrity of your writing, or how your script is going to change the world.

When a producer invests in your movie, he is investing in one thing: the chance to put your movie in seats.

Without seat butt, your movie is going to lose money. And no matter how brilliant your artistic vision is, it’s not going to change the world, make someone laugh, cry, or buy overpriced popcorn. Because no one ever sees it.

And that’s where Blake Snyder is right. No one will go see your movie unless the producer knows how to sell it. This means you need a great premise, which grabs the audience’s attention and makes them want to watch your movie. And once they get to the theater, you need to deliver on the promise you made to your audience, so they can go and talk to their friends about how great your movie was and walk away with more butt. the theater

Save the cat! The method is basically to turn your script into a giant sales pitch. A living, breathing advertising device that looks so overwhelming that audiences can’t help watching it, and producers can’t help but buy it, whether it’s good or not.

Sounds like a pretty good idea, right?



Otherwise it won’t work for you.

That’s because, unless you were born into a Hollywood family (Snyder’s father was producer Kenneth Snyder) or already have a multi-million dollar hit in your pocket, no one is going to take a chance on your crappy script. No matter how good the foundation.



Selling out is for professionals

It is true. Hollywood is full of writers who sell bad screenplays with good premises and make a lot of money doing it.

And you can too.

That is, if you happen to already be a big time writer.

The problem is, if you’re like most writers, that probably means you don’t have a multi-million dollar hit in your back pocket. And in that case no one will take advantage of your bad script.

This may seem like an unfair double standard. But it doesn’t. And if you don’t believe me, answer this question:

Whose next script is more likely to make you money on your investment: Quentin Tarantino’s or Joe Smith’s?

You don’t even know what the script is about, but you already know the answer. Tarantino has quite the track record to point to. Joe just has his script.

If Joe could convince someone to take a chance on him, that script would be better. Really good. It should make them believe more strongly that they’ll put their own reputations, and their own hard-earned money, on the line to make it happen.

The truth is, “great ideas” are a dime a dozen in Hollywood. And so are authors with impressive track records.

But really good scripts are incredibly rare.

A good script is gold in Hollywood. And you can write one.

Blake Schneider can show you how to sell it. But he can’t show you how to write.

Blake Snyder’s magnum opus exists for a reason Stop or my mother will shoot.

Whether the movie you’re writing is a deeply moving drama, a popcorn-munching action flick, or a teen sex comedy, there are no shortcuts around the writing process. At least not if you want to write good movies.

The four stages of writing

In my classes, I divide the writing process into four phases. I’ll elaborate on them in future newsletters, but for now, here’s a brief overview:

1. Draft ME

2. Audience Draft

3. Producer Draft

4. Reader Draft

What Blake Snyder describes in Save the Cat! In fact, the production phase of the process is: the adaptation and revision phase that focuses on turning the most marketable elements of your screenplay into candy for the producers.

It’s a great place to end. But that’s a bad place to start.



Don’t spend your writing life like a used car salesman

No offense to any used car dealers out there, but you’re not going to break into a competitive industry like the film industry by driving a broken-down jalopy with a fancy paint job.

You may be fooling your Aunt Ida. But a real producer can tell when an engine isn’t running.



Open yourself to the process

If you allow yourself to be tempted to think about the pitch before you have something to sell, you won’t get where you want to go.

The kid who talks the most on the basketball court probably isn’t going to the NBA. At least until he learns to shoot.

Learning to venture into the world of screenwriting begins with discovering your character and taking him or her on a deep journey.

It means getting in touch with your subconscious creative mind, which could care less about marketability and sales-pitch, and creating a story that exceeds your own plans and expectations.

Then, when you decide to “save the cat,” you’ll be doing it for the right reasons: to expand and focus on what already makes your screenplay great, and shape it into a form that producers can salivate over.

Don’t worry, you’ll have plenty of time to sell later. But you have to be a writer first.

Learn to understand the four stages of writing

Interested in learning more effective ways to “save the cat” in your own writing? Check out my upcoming Screenwriting Workshop: Adaptation and Revising.

Instead of imposing a flashy sales pitch from the outside, you’ll learn to identify the underlying hook already present in your work and focus your writing to bring it to the surface, intensify your character’s journey, and shape a story that holds yours. Visitors and will not let them go.

Sign up now, and watch the first session for only $20!

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